colour memory
ignited in eyes
sketched in flame light
giving to form
a hunger
ghosting
that necessity, pain
in which abundance is
its own hiding place
the inconspicuous spring
Sunday, April 27, 2008
Friday, April 25, 2008
feather bones
bird looks like time
it flies above it
multitude
and flight movement
colours lost within
mountains
home lines end in
land becoming water
through seasons of
perpetual light, perpetual fall
the never-ending begins
what age is coming?
in silence
is no silence
feather bones
lifting the air
it flies above it
multitude
and flight movement
colours lost within
mountains
home lines end in
land becoming water
through seasons of
perpetual light, perpetual fall
the never-ending begins
what age is coming?
in silence
is no silence
feather bones
lifting the air
profusion
in direct profusion
ferny light
captured green by the interior
a filter in the weeks
heated over by last summer
where is the dryness?
extended
and eliminated
too far from
wet coasts?
reach a hand
beyond reinforcement
a certain fresh forest
or another world
hot slow quarters
paradisical
the passage
seek them, breeze
always found face
outside improves
the molasses of fruit
garden directs its eyes
ferny light
captured green by the interior
a filter in the weeks
heated over by last summer
where is the dryness?
extended
and eliminated
too far from
wet coasts?
reach a hand
beyond reinforcement
a certain fresh forest
or another world
hot slow quarters
paradisical
the passage
seek them, breeze
always found face
outside improves
the molasses of fruit
garden directs its eyes
Tuesday, April 22, 2008
elasticity
whisper the dry track
veil of ways
dream fuelled
like escapees
this magician
the price of form
I have my words
their elasticity
connects skin
the alive thought
veil of ways
dream fuelled
like escapees
this magician
the price of form
I have my words
their elasticity
connects skin
the alive thought
Labels:
poem
Monday, April 21, 2008
gutters
The privilege of beauty
is something we’ve imagined
rather than paid for.
When it all blows down
who claims the sky
lets dark outside the eyes.
As the garden perfects
one petal, leaves buckle
into heat streams.
The velvet is lush, alien
unlike diesel and gasoline
dripping rain, rather than sex
reminding you
the wall is pushed
by undone gutters.
is something we’ve imagined
rather than paid for.
When it all blows down
who claims the sky
lets dark outside the eyes.
As the garden perfects
one petal, leaves buckle
into heat streams.
The velvet is lush, alien
unlike diesel and gasoline
dripping rain, rather than sex
reminding you
the wall is pushed
by undone gutters.
Labels:
poem
making it up as you go along
I've been sifting all my life.
Who knows what you're looking for:
pageants of failures staged on memory television.
That may be reality or an exit strategy
(by you or whose army).
That's it: a list, warnings, a series of dreams.
Who knows what you're looking for:
pageants of failures staged on memory television.
That may be reality or an exit strategy
(by you or whose army).
That's it: a list, warnings, a series of dreams.
Labels:
poetics
Sunday, April 20, 2008
globe
a globe of water
clear fruit, dirty fruit
water that is
water you never get
a circle, not a question
clear fruit, dirty fruit
water that is
water you never get
a circle, not a question
the trace of experience (?)
The real becomes part of the words.
They are said, they are written.
What becomes history is one lead.
Emotion is another.
What is more unreliable?
They are said, they are written.
What becomes history is one lead.
Emotion is another.
What is more unreliable?
Labels:
poetics
Saturday, April 19, 2008
a key
The Now is surrounded by time.
Occasionally you fear there is no time, only billable hours.
The act as it stands is inconsistent with the models.
What of this failure to identify the measure?
Interests driven by gear, framing of loss and dividends.
So long as it’s written down, like disaster recovery.
There’s a key, silvery, sharp. Where’s the good news?
Where the work is?
Occasionally you fear there is no time, only billable hours.
The act as it stands is inconsistent with the models.
What of this failure to identify the measure?
Interests driven by gear, framing of loss and dividends.
So long as it’s written down, like disaster recovery.
There’s a key, silvery, sharp. Where’s the good news?
Where the work is?
Labels:
poem
Thursday, April 17, 2008
Wednesday, April 16, 2008
night-time in sydney
The future often seems like the past, but it isn't.
I am leaving town soon.
Tonight at the rise of the hill, the black sweep of a bat, the skreek.
Now the wind is up, the chill is in.
I feel that my bones are made of sandstone and mildew, that Sydney feeling.
What will I make of the dry, and the desert?
All around me is transport: trains, planes, dogs out walking.
The past was never the future, something you can only earn.
What have you forgotten, now you are seated and staring at your hands?
I am leaving town soon.
Tonight at the rise of the hill, the black sweep of a bat, the skreek.
Now the wind is up, the chill is in.
I feel that my bones are made of sandstone and mildew, that Sydney feeling.
What will I make of the dry, and the desert?
All around me is transport: trains, planes, dogs out walking.
The past was never the future, something you can only earn.
What have you forgotten, now you are seated and staring at your hands?
Labels:
sydney
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